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Georges Clairin - Portrait of Sarah Bernhardt
Armand Point - Peacock Casket
Camille Alaphilippe - Woman with Monkey
Aristide  Maillol - Seated female nude with her left hand on her head. Study for The Mediterranean
Louis-Robert Carrier-Belleuse - The Struggle for Life vase
Léon  Lhermitte - Les Halles
Fernand Pelez - The Death of Emperor Commodus
Pierre-Auguste Renoir - Ambroise Vollard in a Red Scarf
Jean Carriès - My Portrait
Emile Gallé - Two-handled vase
Georges-Henri Lemaire - Silence or Immortality
Charles-Alexandre Giron - Woman wearing gloves, also known as The Parisienne
Paul Sérusier - Tricoteuse au bas rose
Pierre-Auguste  Renoir - Portrait of Madame de Bonnières
Berthe Morisot - Jeune fille en décolleté - La fleur aux cheveux
Pierre Bonnard - Conversation à Arcachon
Pierre-Adrien Dalpayrat - Dish : The judgment of Paris
Joseph-Marius Avy  - Bal blanc
Marie Constantine Bashkirtseff - Parisienne, Portrait of Irma
Maurice Denis - Female bathers at Perros-Guirec
Fernand Pelez - La Vachalcade
Alfred Sisley - The Church at Moret (Evening)
Théophile Alexandre Steinlen - Ball on the 14th of July
Edmond  Aman-Jean - Miss Ella Carmichaël

Silence or Immortality

Georges-Henri
Lemaire
Bailly (Oise), 1853 - Paris, 1914
Lapis-lazuli, agate, jasper, opal and gold
51 x 13 x 10 cm

The Petit Palais owns an important cameo, Autumn, by Georges Lemaire, a sculptor and engraver of precious stones, and two statuettes, one representing Etienne Marcel and the other Silence.

The latter two works demonstrate Lemaire’s taste for semi-precious stones which he liked to
select and combine. The iconography of Silence has links with Symbolist art.
From Burne-Jones to Khnopff, turn of the century artists excelled at depicting pale, slender, untouchable women as allegories for mystery and secrecy. The full-frontal pose of the model is further accentuated by the stylised lines of her clothing, the steadiness of her self-absorbed gaze and the strange movements of her hands which are clasping a crown of laurels, making this display object a fascinating icon, a femme fatale-cum-priestess of an unknown cult.

Inventory number: 
OGAL00125
Inventory number : OGAL00125
Acquisition details : Acquired at the Salon de la Société des artistes français in 1905
Room 18. Moreau and Symbolism
Section : Paris 1900
Roll your mouse over the exhibit to view detail.
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